Visualizzazione post con etichetta 3 June 2011. Mostra tutti i post
Visualizzazione post con etichetta 3 June 2011. Mostra tutti i post

7. Non-violent Fascists? The ‘Legion of the Archangel Michael’ between1936 and 1938, Raul Castorcea

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.1
Abstract:
Fascism is perhaps the quintessential example of political violence, both in its ideological glorification of conflict and war, and in its style of politics, displaying some of the most brutal manifestations of aggression in human history. The extensive literature on the subject addresses the cult of violence as an integral part of fascism, considered both theoretically and in its practical consequences (Mosse 1979; O’Sullivan 1983; Griffin 1991; 1998). However, it fails to account for the curious case of a prominent fascist movement adopting a non-violent stance at a time when its popularity was increasing; this offers the researcher an interesting opportunity for refining the existing interpretations of political violence.

8. After Nine Eleven: The Recent Debate About Just War, Elena Guerini

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.1
Abstract:
Over the centuries, the tradition of just war theory has always tried to provide justifications that could authorize and, at the same time, contain the use of violence. Despite its numerous variations, the main purpose of this theory was to assure both the elaboration and the permanence of precise limits for waging wars. In other words, it set the rules of jus ad bellum (that is the legitimacy of a war, the causes for declaring it) and the rules of jus in bello (that is the legality of a war, the specific modalities for carrying it out).
Throughout the XX century, the constraints imposed by this tradition were progressively abandoned: the war assumed unprecedented forms; the distinction between noncombatants and combatants, between the space/time for peace and the space/time for war, was more and more infringed; a brand-new vocabulary was shaped, referring to expressions such as “collateral damage”, “humanitarian war”, “exporting rights”.
After the attacks of September 11, 2001, the necessity of a deep and careful re-consideration of issues about war became even more urgent. Many different opinions were developed within the American debate, but it is easy enough to believe that the views of Noam Chomsky and of Michael Walzer have particularly shown their distinctive strength and significance. Chomsky questioned the old and violent hegemonic project of the United States, and the new excuses produced in the occasion of the wars against Afghanistan (2001) and Iraq (2003). On the other hand, Walzer is one of the main protagonists of the recent attempt to legitimize and elaborate once again the doctrine of just war.
 The main questions we could raise within that recent re-elaboration of the theory certainly concern its political effects: the original frame has been largely altered and weakened, especially the restrictive structure of the old theory. How can preventive war and other aggressive and unilateral acts (often state-sponsored) be considered as morally justifiable? Furthermore, the peculiarity of recent wars has too often been ignored, as well as their radical asymmetry, based on the use of technologically advanced weapons by the western countries and on their control of air force. Such a difference has produced a serious inequality concerning the number of casualties and the concrete chances of winning. That being stated, can we still consider casualties to be merely collateral, justifiable and unintentional damages?

9. Carl Schmitt Against the ‘Intermediate State’: Domestic and International Variants, Timo Pankakoski

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.1
For the abstract please contact: timo.pankakoski@helsinki.fi

10. The EU and the Roma Problem, Anca Pusca

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.1
Abstract:
This paper argues that the ‘Roma problem’ in the EU is often translated into a ‘space problem’ and invarriably moved onto an 'aesthetics' terrain in which all Roma politics become directly connected to a particular 'negative' image of the 'Roma camps'. By turning its attention to the recent politics of Roma expulsions in France, this paper seeks to better understand their implications by looking at: a) the relationship between the Roma’s sedentary vs. nomadic lifestyle; b) the Roma’s use of space to secure both visibility and invisibility; and c) the state’s problematic use of legal violence in order to control and police the Roma. The paper strongly suggests that the Roma ‘space problem’ cannot be solved by attempts to either construct (settlement) or constrict (expulsion) Roma spaces by an outside authority, but rather through an acceptance of Roma’s temporary presence, and the 'aesthetic' implication of that —even if it involves a long-term temporality—in camps ‘abroad’ and continued support for Roma communities ‘at home.’

11. Non – violent Thoughts in Czech Democratic Discourse, Martin Šimsa

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.3
Abstract:
We can read in philosophical and political texts of Czech theorists of democracy some non-violent thoughts and concepts of democracy. There will be mentioned Masaryk´s christian and social democratic concept, Rádl´s critique of nationalism and concept of contrarian democracy, Komárková´s concept of human rights and critique of non-democratic regimes, human rights as the leading concept of Charter 77 in philosophical and political work of Patočka, Hejdánek and Havel. The endeavour about civil democratic society and critical democratic discourse after the Velvet Revolution in 1989 is developed face to face neoliberal economic concept of strong free global market, thin state and thin civil society. Leading Czech democratical concepts are: Democracy as a discussion, democracy as a critique, democracy as a reform, egalitarian democracy as an everyday work, democracy as a space, where human rights are protected and people can participate in it. The questions of non-violent democratic concepts is searched in broader European and cosmopolitan philosophical and political context. Czech theorists were influenced by Locke, Kant, Mill and Tocqueville, newer questions  are presented in comparison with concepts of Popper, Arendt, Sartori, Habermas and Ferrara. Paper is written in critical hermeneutical method.

12. A Jewish Army as a (Missed) Chance for the Beginning of a Jewish Politics. The Position of Hannah Arendt, Sara Rapa

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.3
Abstract:
As everybody knows, Hannah Arendt develops a notion of politics completely alien to violence. But in the first 1940s she puts forward over and over the request for the establishment of a Jewish army which fights under its own flag among the allied armed-forces, claiming that only that demand could provide her people with both the acknowledgment of equality and the freedom which one achieves by fighting alongside others for their own cause. How can this outward paradox be explained?
For Arendt, the attack against the Jews is quite easily launched because of their absolute impotence – that is the lack of political organization –, since they are devoid of a state, an army and a common politics in each country to resist the aggression of which they are victims. As stateless people, they are often refugees, forced to submit to the benevolence of no-Jewish authorities and charitable institutions; citizens of nation-states dismantled by the nazi invasion, they run the risk of being sent to death by the collaborationist states. But yet, exactly because there are not any longer individual ways out, Arendt thinks that the crucial question is the access of the Jews to political responsibility – i.e. the capability of replying from the inside of the situation – starting from the assumption that the present, even if tragic, hides a chance, the only reality which matters for action.
The Jewish condition of statelessness – of being pariah among nations – is the clear sign of a dispersed people. Just one politics lasts: organizing a Jewish army – not for the glory of weapons, but to achieve the political status of nation among others.

13. The Dynamics of Non-violence and Truth: a Gandhian Perspective, Niklas Toivakainen

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.3
Abstract:
Globalization has created incalculable structures that generate new forms of violence. Within these structures we as humans become, mostly unnoticed by ourselves, indifferent to this violence and lose our moral strength. Within this framework Gandhi’s famous call for comprehensiveness is more urgent than ever.
Despite the non-western origins of Mahatma Gandhi’s most important and inspiring concepts of ahimsa and Satyagraha, the depth and emancipating power of these concepts can nonetheless find resonance in and enrich western thinking. Ahimsa, or non-violence, was for Gandhi a concept much broader and deeper in meaning, than simply refraining from physical aggression. In this paper I will explore the dynamic relations between ahimsa and the search for Truth. Quintessential to this dynamic relationship is the means by which the ends are pursued, for according to Gandhi we can only control the former, whereas the latter cannot be separated from these. A call for a radical need for democracy and swaraj, or self-rule, is voiced by Gandhi, connecting it to his call for comprehensiveness. “True democracy can only be the outcome of non-violence”.

14. Mending the World: a non-violent Apocalypse, Francesca Consolaro

Friday, June 3rd, 10.45 – 13.00, at Università di Verona, Room 1.3
Abstract:
Each and every life is valuable and each life is a unique opportunity. "Whoever saves one life, saves the world entire”, declare the verses of the Talmud. This profound awareness permeates all Jewish thought and is perfectly represented in the well-known concept of Tikkun ha Olam. To repair the world and to heal the fracture between God and cosmos, it is sufficient to perform one single act of kindness. One single positive act is enough to start up an overall process of redemption and to evoke the presence of the Good, here and now. Several meanings can be assigned to the expression Tikkun ha Olam, meanings that differ depending on the different historical period they refer to. However, the assessment of the expression provided in Gershom Scholem’s works is the one which has most influenced its understanding and dissemination during the 20th Century.
Reading his investigation, we learn that this concept, although closely linked to the environment in which it emerges, i.e. that of the Rabbis, proves, in its evolution, to possess an extraordinary flexibility: from a mystical act in the Lurianic Kabbalah, to a progressive action that perfects the world in the Jewish Enlightenment, to a theory that sets the foundations for a new ethics of responsibility in contemporary thought. According to Nathan Rotenstreich and Moshe Idel, German culture and philosophy play a central role in the way this concept is developed and emerges in Scholem. More specifically, the logical foundations of the notion of Tikkun can be traced down to the conceptual bases of Hegel’s philosophy. It is quite a paradox that Hegel, an author who is apparently the furthest removed from the themes of Rabbinic speculation, provides the essential tools to study in greater depth a concept that, still today, emerges as fundamental in Jewish thought.
By analysing the notion of Good according to the traditional terms of Hegel’s philosophy, it clearly emerges that “repairing the world” through a limited act of goodness does not merely mean to “improve it a little”: each good act is considered as such not because it merely includes “some good”. Whoever saves a life does not simply save the small world of relationships and ties which that life keeps together. Whoever saves a life also saves the entire humanity embodied in that life. An act is good because the Good manifests itself entirely in that act. The assessment of the roots of the concept of Tikkun ha Olam must thus proceed on two fronts.
On the one hand, consideration is given to Hegel’s Science of Logic, that builds up the theory for the ethical category of Good. Here, the Good is Notion, i.e., takes the form of three aspects that cannot exist independently: Universal, Particular and Singular. “Good” is also Idea, meaning that Life is aware of itself as  made of these three components, and acts properly when it is aware of its intimate structure. On the other hand, the assessment takes Hegel’s treatise on Good in the Philosophy of the Spirit into account. Here, the discourse on the Good is not limited to the “State”, on the contrary, it ends up including the relationship between national states, the history of the world and the historical prospects that had arisen in his time.
For the first time, according to Hegel’s vision, this world, our world, can embrace the histories of the people that preceded it and value each of these histories. In this first, truly global context, a shared sense of ethics can finally rise where the presence of the “Spirit of God” can emerge. As interpreted by Hegel, more than marking the end of history, this age indicates its beginning. As a result, it is not the end of history, but history’s end that becomes the cipher of this new Messianism. The “Messianic issue” in Hegel consists in the fact that everyone through their acts can give meaning to the world, and this is only possible when the dignity of all humans is acknowledged.
There is a crucial difference in Hegel and Scholem’s notions that must be highlighted. In Hegel, the People of Israel, as exiles, conquer a sense of interiority for the entire humanity, although up to a certain extent they remain prisoners of this same dimension. In the history of the Spirit, the universal transformation of this interiority is accomplished later on by Germanic people (not only German). Scholem on the contrary underscores that in Jewish tradition, interiority is “immediately upturned to become exteriority”: a Jew recognises himself in the Jewish people. Again, according to Scholem, the People of Israel find themselves as they go along their way, and understand that their outreach is in time and not in space, thus perceiving themselves as history. The end of Jewish history is to prepare to the future advent of the Messiah, namely to accomplish the Tikkun ha Olam: a non-violent apocalypse to start giving meaning to past and present history. In this, the Jewish world regains its universal role.
To “give a meaning” means to “make a difference”, to acknowledge the right value of every single aspect of reality in its uniqueness. From this perspective, the form taken by radical evil is indifference. Each and every individual and good act, on the contrary, shows the presence of the Good in the world and changes its global meaning. If this is possible, then it means that evil never wins, not even in Auschwitz, because even in Auschwitz it is possible not to be inert facing the ethical vacuum. When this happens, that is when Teshuvah starts.   

15. It's way too dangerous being a superhero’ - Aesthetic Interventions in Rio de Janeiro's Culture of Violence, Frank Möller

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.1
Abstract:
This paper introduces the work of the French photographer JR in the  favelas of Rio de Janeiro, the documentary Waste Land about the  Brazilian visual artist Vik Muniz's work with "catadores" (garbage  pickers) in Rio's garbage dumps, and José Junior's cultural vision as  epitomized in AfroReggae. These projects are seen here as  cultural/aesthetic interventions in one of the most violent cities in  the world in terms of the numbers of actual killings and also with  respect to structural forms of violence underlying the social,  political and economic functioning of the city. As such, the paper  takes up the question, articulated in the call for papers, of what  art, as a form of social activism, can do to implement non-violence  even in adverse circumstances. The above works of art are discussed in  terms of visibility, recognition and reduction.

16. Subject, Self-image, Non-violence, Igor Pelgreffi

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.1
Abstract:
This paper questions, starting from Derrida’s works, the theoretical possibility of a place for non-violence into subjectivity.
The experience of Derrida in docu-films (and his subsequent reflections on it) – where he is actor of himself – will be analysed. The concrete ex-position of his discourse to heterogeneous registers (music, images, cutting, direction) and the not full control on his own image (suspended between private and public) may consistently modify the paradigm of self-representation and self-recognition.
Subjectivity vacillates between conscious attention and automatism, between mastery and letting ‘the other’ traverse me.  Precisely in the ambiguous space between activity and passivity, non-violence can arise within subjectivity and unceasingly reconfigure it.
I also argue that being active/passive, as well as actors/directors, may be a pervading condition nowadays, thinking to the increasing net-anthropological dislocation – and reconfiguration – of identity, and of one’s own images, scripts and written remains.
The statute of one’s own image (public/private, external/mental) is changing; one must accept a partial ex-author/isation on one’s own products (intellectual or ethical-political), and learn to manage the transformation. This management works as a (paradoxical) new form of non violent engagement politique, a very primitive and modest pattern of commitment, but possibly necessary.  

17. From Violent Logos to the (Non-)Violence of the Sensuous: Bataille and Nancy on Art and Materiality, Martta Heikkila

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.1
Abstract:
My presentation examines two differing notions of violence apparent in the theories of art in the 20th Century. First, I shall clarify the role of the “violent logos”, as Jacques Derrida formulated it, in the discourse of Modernism which insisted on the unified form and concept of art. Secondly, I shall present the subsequent postmodern shift into a kind of “violence of the sensuous”: in visual arts this denotes an emphasis on the materiality of the medium and an outburst of what exceeds logical and conceptual approach to the work of art. What is at stake in this trajectory from one type of violence to the other, and whether the postmodern “material turn” of visual arts can even be characterized as violence, shall be my questions.
In particular, I shall present the work of philosophers Georges Bataille and Jean-Luc Nancy as introducing the notion of ‘touch’ to replace the paradigm of pure visibility of Modernist painting. Thus they both have enlarged the scope of art by emphasizing its tangible materiality. This is also evident in the work of many artists, and I shall briefly consider few key works to analyze their function in deconstructing the violent hegemony of the rational visuality in art.

18. State of Violence – Imagine Non-violence, Mia Hannula

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.1
Abstract:
In my presentation, I consider State of Suspension (2008), a film by Dutch cultural theorist and filmmaker Mieke Bal and Israeli filmmaker Benny Brunner, which is “a drama examining the psyche of contemporary Israel, sixty years after independence and Palestinian catastrophe al nakba”. The film is a composite of experimental documentary, consisting of satirical performance, music and poetry (based on the Israeli national anthem and the Declaration of Independence), complemented by the historical archival footage and interviews of people ranging from holocaust survivors to al nakba survivors, from refugees to settlers, and from peace workers to fierce nationalists.
 In my analysis, I address the artistic and aesthetic means of the film ‘as inquiry’ of intercultural relations in the context of Israeli-Palestinian conflict. The artistic interventions to the everyday life of the Israelis—Jews and Arabs—reveal the mentality of people who experience both the fear and the normalisation of violence as a daily reflex. The close reading of the film attests, how violence operates at multiple levels and how traumatic historical events continue to shape the inner, interpersonal, socio-cultural, and generational worlds of their subjects. Art is considered as having its share in giving a shape to the complexity of historical reality and imagination is concerned as a social force towards thinking and acting for non-violence.

19. Horrorism and the Graphic Novel: the Case of Exit-Wounds, Dana Arieli

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.3
Abstract:
In her fascinating Graphic Novel "Exit Wounds" winner of Eisner Award for Best New Graphic Novel 2008, Rutu Modan depicts an imagined community: One in which a suicide bomber caught in the scene is not being lynched by the crowds but rather gets treated by a nurse of the opposite nationality. Here Horrorism turns into a non-voilant act. In my paper I would like to study Modan's creations as a path for re-thinking and criticizing the justifiability of violence.

20. Vulnerable Bodies: Examples in Contemporary Art, Cristina Giudice

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.3
Abstract:
My paper is about the relationship between contemporary art, as addressed from a feminist perspective, and violence. I think that the way in which we feel and perceive our bodies and the bodies of the others can be a big opportunity for discussion about violence and non-violence as well. I think that many artists with their works elaborate a critic of justifiability of violence, its unavoidability and its “naturalness”. For example Adel Abdessemed, Tania Bruguera, Regina José Galindo, Alfredo Jaar, Doris Salcedo, Kara Walker. The artists tell us about the time we live in, they narrate a reality made by violence and analyze the conflicts caused by differences in gender, religion, social and geographic origin, using a direct language. I think and I will try to demonstrate, that these works are the first necessary step towards concrete change. Artists put violence and its relationship with politics on the stage through their performances and works revealing, with their bodies, that “the human” is defined by her/his vulnerability. This is an estranged vision and a form of social activism that  implements the viewpoint of non-violence.

21. Poetry and ‘War on Terror’: Finding a New Language, Tommi Kotonen

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.3
Abstract:
In my paper I study how American poets have tried to find a new vocabulary, new language in the political landscape of the so called War on Terror. Especially the group of language poets has stressed the need to find ones way out of the military rhetoric and masculine language of warmongers. One of the members of the group, Charles Bernstein has parodied speeches of Bush and Schwarzenegger, but has also tried to counter them with his poetry of ambivalence, femininity and polyvocality. His latest poetry aims towards nuanced analysis of war and terrorism and violence. Bernstein explores a range of alternatives to the with-us-or-against-us rhetoric of the popular media as well as to the anti-liberal tendencies of current American politics. I focus in my paper on Bernstein’s poetry and its imagery of “Girly Men”, his feminine alternative to masculine “warrior politics”.

22. Singing and ‘die Betroffenheit’, Maija Pietikäinen

Friday, June 3rd, 15.30 – 18.30, at Università di Verona, Room 1.3
Abstract:
Since the 1950s the German political and social theory has thematized the concept of “die Betroffenheit” to describe the horizon of many human experiences caused by the power and the violence in their objectivating and exploiting nature. Günther Anders (Stern), the first husband of Hannah Arendt, opened the discussion as a pre-theorist in this field through his writings about the blindness of the humanity concerning the apocalypse of the nuclear weapons. He renewed his theses in 1986 as the first philosopher after Tšernobyl. Ulrich Beck argues for his part that for the heterogeneity of the new social movements is common the homogeneity of their motives; the personal “Betroffenheit”. Brigitte Rauschenbach calls it as a structural conflict which prevails between the motives of participation caused through “die Betroffenheit” and the democratic premises in the Western societies and which at the same time signals the disturbance in the interactive relationship with the outside world.  In the concret analyses of the German theorists this phenomenon has many reasons, but different from the concept of suffering it has a double-meaning. It is similarly also a spiritual moving point and moving force for the individual strategies to survive and overcome, for the different learning experiences and for the creative processes of the social and political movements. On the other hand it distinguishes from the pre-conscious and reactive strategies in avoiding and rejecting the social and political reality. Their irrelevance is mainly based on the lack of means of expression and the relevant and the adequate concepts. This concerns for the most part also the violence in its nature as a mute and petrified force which is unable to express itself with words in an adequate way.
In my paper I ask the possibilities of the singing to act as a counter force and a resistance to open, to express and to transform the stunned and mute petrifaction of violence. Compared with the other genres of music and art the singing has a double-language and double-order of words and tones in use to intensify its possibilities of empowerment, resistance and emancipation. At the same time the unique, relational and visionary human voice enables for the “Who” to create the common “Mitwelt” as a form of taking care of the world and telling from us as human beings. In this connection I also take some examples from the biography of the Swedish singer Valborg Werbeck-Svärdström.

Lovers, not Fighters: From Duels to Suicides in Romeo and Juliet, Paul Kottman

Friday, June 3rd, 14.30 – 15.15, at Università di Verona, Room 1.1
Keynote 3: "Lovers, not Fighters: From Duels to Suicides in Romeo and Juliet", Paul Kottman, New School for Social Research, New York

Making New History. Critiques of Violence and Nonviolence towards a New Philosophy of History, Fulvio Cesare Manara

Friday, June 3rd, 9.30 – 10.15, at Università di Verona, Room 1.1
Keynote 2: "Making New History. Critiques of Violence and Nonviolence towards a New Philosophy of History", Fulvio Cesare Manara, University of Bergamo